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关注:1
2013-05-23 12:21
求翻译:二十世纪中期,法国批评家顾思•阿纳冯认为《觉醒》是已不现实小说。麦克•T•吉尔摩从现代主义角度,认为《觉醒》中描写了远远超出了前人的大量的梦和幻想,书中对主观的强调是与经验相关的自我中心化的解体,而这一解体正符合了现代主义。安德鲁•德尔班科从社会学角度,认为小说埃德娜屈服于对权力的热爱,屈服于麻木的男性世界。克里斯汀那•焦尔切利从心理学角度,积极地认埃德娜的死亡代表着生死循环。是什么意思? 待解决
悬赏分:1
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二十世纪中期,法国批评家顾思•阿纳冯认为《觉醒》是已不现实小说。麦克•T•吉尔摩从现代主义角度,认为《觉醒》中描写了远远超出了前人的大量的梦和幻想,书中对主观的强调是与经验相关的自我中心化的解体,而这一解体正符合了现代主义。安德鲁•德尔班科从社会学角度,认为小说埃德娜屈服于对权力的热爱,屈服于麻木的男性世界。克里斯汀那•焦尔切利从心理学角度,积极地认埃德娜的死亡代表着生死循环。
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2013-05-23 12:21:38
Mid-twentieth century, the French critic Grossman Anatol von "The Awakening" is not realistic novel. Mike t Gilmore from the modernist point of view, that depicted in "The Awakening" goes far beyond the previous dream and fantasy, the book subjective emphasis is self-centered and experience related
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2013-05-23 12:23:18
Middle of the 20th century, the French critic al Cisco lab, the awakening of that Fung is not realistic fiction. Mike T • Gilmore from Modernist perspective, consider that in the description of the awakening had gone far beyond the front of a lot of dreams and fantasy in the book, to the subjective
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2013-05-23 12:24:58
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2013-05-23 12:26:38
The middle of 20th century France critics gusi·anafeng believes that the awakening is not a realistic novel. Mike · T · Jill motorcycle from a modernist perspective, that depicts are far beyond what our predecessors in the awakening of a lot of dreams and fantasy, the book's emphasis on the subjecti
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2013-05-23 12:28:18
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