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  • 匿名
关注:1 2013-05-23 12:21

求翻译:如果十九世紀中期以後興起的「現代主義」(即那些「非寫實」的畫作,例如抽象、超現實)是現代社會的特徵,那麼,何以生活於現代社會的人們,一方面可以欣賞這些現代主義畫作,另一方面又可以觀看與接受那些「寫實」的攝影?是什么意思?

待解决 悬赏分:1 - 离问题结束还有
如果十九世紀中期以後興起的「現代主義」(即那些「非寫實」的畫作,例如抽象、超現實)是現代社會的特徵,那麼,何以生活於現代社會的人們,一方面可以欣賞這些現代主義畫作,另一方面又可以觀看與接受那些「寫實」的攝影?
问题补充:

  • 匿名
2013-05-23 12:21:38
正在翻译,请等待...
  • 匿名
2013-05-23 12:23:18
After the mid-century if the 19 rising "modern" (that is the "non-realism"'s paintings, such as abstract, ultra-realistic) is on the characteristics so, how can we live in modern society, it can appreciate the modern paintings, on the other hand can watch and accept the "realistic" of photography?
  • 匿名
2013-05-23 12:24:58
If the 19th century intermediate stages will later start “modernism” (i.e. these “will must practicalize” painting, for example abstract, ultra reality) will be modern society's characteristic, that, how will live in modern society's people, on the one hand might appreciate these modernism painting,
  • 匿名
2013-05-23 12:26:38
If after the middle of 19th century the rise of the "modernism" (that is, those "non-realistic" paintings, such as abstract and surreal) is a feature of modern society, then why people living in modern society, on the one hand you can enjoy these modernist paintings, on the other hand can watch and
  • 匿名
2013-05-23 12:28:18
正在翻译,请等待...
 
 
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