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  • 匿名
关注:1 2013-05-23 12:21

求翻译:针对“全、荷、桃”805部不重复入围群舞作品之中的1201次密集观念展开研究。得出结论:编导们运用演员们的身体进行密集,不但可以创造“梯田式”阵形来渲染舞蹈美的形式、模拟描绘自然景物,还可以表现遇险之后的痛苦挣扎和重塑特定人物。虽然这些比例只有10.24%,但是它们浓缩了30年来编导们的创作智慧,构成了1201次密集的精髓,可以持续引领舞蹈创作潮流。是什么意思?

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针对“全、荷、桃”805部不重复入围群舞作品之中的1201次密集观念展开研究。得出结论:编导们运用演员们的身体进行密集,不但可以创造“梯田式”阵形来渲染舞蹈美的形式、模拟描绘自然景物,还可以表现遇险之后的痛苦挣扎和重塑特定人物。虽然这些比例只有10.24%,但是它们浓缩了30年来编导们的创作智慧,构成了1201次密集的精髓,可以持续引领舞蹈创作潮流。
问题补充:

  • 匿名
2013-05-23 12:21:38
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  • 匿名
2013-05-23 12:23:18
I should be grateful if you would arrange for the full, 805 Department of Commerce," not to repeat the coveted dances of the works that the 1201 meeting intensively study of the Concept Came to the conclusion that the producers point to use the body of intensive, not only can create "terraced"-to re
  • 匿名
2013-05-23 12:24:58
In view of “entire, Holland, the peach” 805 not repeatedly are accepted in the group dancing work 1201 crowded ideas to launch the research.Draws the conclusion: Directs utilizes the actor body to carry on crowdedly, not only may create “the terraced field type” the lineup to exaggerate dances the b
  • 匿名
2013-05-23 12:26:38
", The Dutch and the peach" 805 do not repeat finalists group dance research works, 1201-intensive concepts. Concluded that directors use actors physically intense, not only can create "terraced" formation to render dance forms of beauty, model depicting natural scenery, can also show distress after
  • 匿名
2013-05-23 12:28:18
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