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  • 匿名
关注:1 2013-05-23 12:21

求翻译:The piano was perfected in the early eighteenth century by a harpsichord maker in Italy (though musicologists point out several previous instances of the instrument). This instrument was called a piano e forte(soft and loud), to indicate its dynamic versatility; its strings were struck by a recoiling hammer with a felt-padded head. The wires were much heavier in the earlier instruments. A series of mechanical improvements continuing well into the nineteenth century, including the introduction of pedals to sustain tone or to soften it, the perfection of a metal frame and steel wire of the finest quality, finally produced an instrument capable of myriad tonal effects from the most delicate harmonies to an almost orchestral fullness of sound, from a liquid, singing tone to a sharp, percussive brilliance.是什么意思?

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The piano was perfected in the early eighteenth century by a harpsichord maker in Italy (though musicologists point out several previous instances of the instrument). This instrument was called a piano e forte(soft and loud), to indicate its dynamic versatility; its strings were struck by a recoiling hammer with a felt-padded head. The wires were much heavier in the earlier instruments. A series of mechanical improvements continuing well into the nineteenth century, including the introduction of pedals to sustain tone or to soften it, the perfection of a metal frame and steel wire of the finest quality, finally produced an instrument capable of myriad tonal effects from the most delicate harmonies to an almost orchestral fullness of sound, from a liquid, singing tone to a sharp, percussive brilliance.
问题补充:

  • 匿名
2013-05-23 12:26:38
钢琴被完善十八世纪初在意大利的琴制造商 (虽然在座指出仪的几个以前实例)。这种仪器被称为钢琴 e 复 (软和大声),以指示其动态的通用性 ;其字符串被击中毡填充的头的后坐力锤。电线重得多的较早的文书。制作一系列机械改进继续到十九世纪,包括踏板持续音,或软化,介绍金属框架的完善和最好的质量、 钢丝最后仪器能够从最微妙的和弦声音,几乎管弦乐饱满的无数色调效果从急剧的液体,歌唱音撞击式的辉煌。
 
 
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